Monday, June 25, 2018

I and my poetry are profiled in the New York Times today

Our Newsroom Doesn’t Have a Poet Laureate. But This Guy Is Pretty Close.

Tim Torkildson is a retired clown who got the attention of New York Times journalists when he began emailing original limericks to the newsroom several times a week.
Lela Moore
By Lela Moore
Image
Tim Torkildson at his home in Utah, responding to a reporter's positive critique of his 'Timericks.'CreditCourtesy of Tim Torkildson
Tim Torkildson’s limericks — he calls them “Timericks” — are a familiar sight in the email inboxes of New York Times journalists.
Several times a week, he sends them to 22 journalists, including eight at The Times.
When The Times reported in May that China’s president, Xi Jinping, stood to benefit most from a proposal to cancel sanctions between the United States and North Korea, Mr. Torkildson took to his computer to send his readers this limerick:
Image
A 'Timerick' inspired by a May 11 Times article, "On U.S.-North Korea Talks, China May Hold the Cards."
The poem is one of approximately 1,000 that Mr. Torkildson estimates he has written for Times reporters over the past four years.
ADVERTISEMENT
Image
A 'Timerick' inspired by a June 19 Times article, "How the Koch Brothers Are Killing Public Transit Projects Around the Country."
“He is often clever and on point regarding human foibles, the press and our current national situation,” said Dennis Overbye, a science reporter at The Times who regularly receives Mr. Torkildson’s poems. Often, Mr. Overbye said, they relate to articles that he has written.
Image
A 'Timerick' inspired by a June 14 Times article by Dennis Overbye, "Black Hole Drags Star to Dusty Death."
Over the years, Mr. Torkildson has struck up email conversations with several of the journalists he’s written.
“Any acknowledgment from a reporter, even if it's just 'thanks,' makes me feel wonderful,” he said in a phone interview with The Times. “I feel like I've accomplished my goal in life, at least for one day.”
ADVERTISEMENT
At 64, Mr. Torkildson is retired from clowning and lives in Provo, Utah. “I was born different,” he said. “I truly believe I was born to make people laugh.” He was born in Minneapolis; his father was a bartender and his mother a homemaker.
“To them, the best thing in the world was to have a good steady job, even if it was boring,” Mr. Torkildson said.
During his senior year of high school, he applied to and was accepted by Ringling Bros. and Barnum & Bailey Clown College. He said that after his mother called the Better Business Bureau to determine if the school was legitimate, she gave him her blessing.
Then Mr. Torkildson hitchhiked to Venice, Fla., in 1970 to begin what he called “boot camp for funnymen.”

He did not expect to end up with a job. “I was the worst, least funny student they’d ever seen,” he said. “I couldn’t juggle, couldn’t ride a unicycle, my makeup was horrible. I never expected that they’d hire me.”
But after an audition in front of Irvin Feld, the circus’s owner at the time, in which he accidentally sprayed Mr. Feld with caustic chemicals from a fire extinguisher, he learned that he had been hired.
Image
Mr. Torkildson toured with Ringling Bros. for five years, using the alias Dusty.CreditCourtesy of Ringling Bros.
In 1974, he left the circus to serve as a Mormon missionary. He worked in Thailand under the auspices of the Red Cross, performing his clown show in schools, prisons and other venues.
ADVERTISEMENT
Upon completing his two-year mission, he briefly performed again with Ringling Brothers.
He said he was fired in the late 1970s after an encounter with Michu Meszaros, the so-called World’s Smallest Man, who later went on to portray the title alien in the 1980s sitcom “ALF.” Mr. Meszaros died in 2016.
Image
Left, Tim Torkildson in costume as Dusty the Clown with Michu, the World's Smallest Man, center, in the arms of Dougie Ashton.CreditCourtesy of Ringling Bros.
One morning before Mr. Torkildson went to church, Mr. Meszaros poured beer on his Book of Mormon. Angry, Mr. Torkildson locked Mr. Meszaros in his wardrobe trunk and headed to church.
“In the circus,” he said, “there’s an unwritten rule that you never touch or abuse the little people. I’d crossed the line.” Mr. Meszaros was rescued from the trunk, “madder than a wet hen,” Mr. Torkildson said.
So Mr. Torkildson found himself back in Minneapolis, in urgent need of a new career. He took a vocational course in radio broadcasting that sowed some of the seeds for his unique brand of news poetry.
The course helped him land a job in 1981 as a radio news DJ at KGCX in Williston, N.D., where he met his former wife, Amy.
ADVERTISEMENT
The couple married in the Mormon temple in Salt Lake City and had eight children while Mr. Torkildson tried to adjust to the serious business of being a newscaster. “When I’d try to make my newscasts funny,” he said, “I’d get in trouble, and a couple of times I lost my job.”

For the next decade, Mr. Torkildson worked on and off as a traveling clown and ringleader, and in temp jobs. But his family began to fall apart under the stress of his work schedule. He got divorced and fell behind on his child support, and his mother died.
Image
A 'Timerick' inspired by a June 13 Times article, "Common Drugs May Be Contributing to Depression."
After paying off his child support debt, he moved to Provo, near several of his children, in an effort to see them more often and “see if I could mend some fences,” he said.
“I’m the perfect grandpa,” he said, referring to his clowning abilities. “It’s been slow and it hasn’t been easy, but I am making reconnections with my children.” He said that one way he connects with them is by researching his family’s genealogy through the Church of Jesus Christ of Latter-day Saints.
Mr. Torkildson began composing and emailing his limericks in 2014.
Image
A 'Timerick' inspired by a June 14 op-ed, "Hey Boss, You Don't Want Your Employees to Meditate."
One of his early recipients was Lizette Alvarez, a former New York Times Miami bureau chief. She shared some of his poems with her husband, Don Van Natta, Jr., the editor of The Sunday Long Read and a former Times correspondent.
“Tim was sending her limericks off Florida news stories; Lizette thought they were fun and funny and she’d share some with me,” Mr. Van Natta said in an email. “He has a particularly sharp eye for stories that skew writers and editors.”
Mr. Torkildson now serves as senior limerick editor for the online edition of The Sunday Long Read. To craft his news poetry, he reads four newspapers online daily and, depending on what stories strike his fancy, constructs a limerick or two.
ADVERTISEMENT
“I usually choose my stories by first going to Google news and entering keywords of current interest to me,” Mr. Torkildson said.
“I don’t have a TV, I don’t watch local news, don’t listen to radio news. My news comes from newspapers — the last best defense against tyranny and against falsehood,” he said.

The children are scattered


The children who were forcibly separated from their parents
 at the border by the United States government are all over the
 country now, in Michigan and Maryland, in foster homes in
 California and shelters in Virginia, in cold, institutional settings 
with adults who are not permitted to touch them or with foster
 parents who do not speak Spanish but who hug them when they cry.
Washington Post

The children are scattered; nobody knows where --
Which causes their parents to tear out their hair.
Is Pablo in Denver, Marie in Saint Paul?
Do they have clean clothing, good food, and a doll?

And Uncle Sam doesn’t care one little bit
That fam’lies are shattered by such a foul split.
Protecting the border now means finally
Our government spurns even mild charity.

I’m thinking the Statue of Liberty weeps
That innocent children are locked up by creeps.
I’ll tell you what Tolerance Zero should mean:

Flushing Jeff Sessions down the nearest latrine.

Sunday, June 24, 2018

My Unhappy Childhood




Tolstoy wrote somewhere that all happy families are boring and all unhappy families
are the basis for bestsellers, or something like that. But what did he know?
As an old man he lost his marbles and ran away from home to live in a train
station, or something like that. Writers: they don’t know from nothing most of
the time.


Including me, of course. Whenever I make a conscious effort to be a ‘writer’ I
usually descend into bathos and moody wordplay. So this time around I’m just
scribbling and jotting down the flotsam and jetsam that surfaces on a Sunday
morning after a good night’s snooze and the prospect of ham and eggs with
buttered toast smothered in marmalade for breakfast. I don’t think Proust has
anything to worry about.


I’d like to write that I was a misunderstood child prodigy, which caused me
enormous misery. But my parents understood me all too well -- I was a
rapscallion with the instincts of a guttersnipe and the work ethic of a three-toed
sloth. By turns moony and cranky, demanding and put upon, I was an open book
to them. Why they didn’t pack me off to Mao’s China to be re-educated by the
Red Guards in some dismal rice paddy I really couldn’t say. Lord knows
I deserved it.


Maybe they kept me around just for laughs. I remember a great deal of laughter
while growing up.


On Tuesday nights I sat entranced in front of the television, drinking up
the lowbrow antics of Red Skelton. One Christmastime sketch had him
playing a would-be Santa on a snowy slippery roof, with all the attendant pratfalls
and inevitable slush down the front of his pants. I howled in merriment to such an
extent that I had to take a second bath that night.


There was my mother’s spaghetti. It was good -- no, I lie; it was superb.
The pasta was Creamette brand and the sauce came straight from a bottle.
But she made her own meatballs and the combination perfectly suited my taste
buds. I always had seconds and strenuously wangled for thirds. Her spaghetti
put a saucy red smile on my face that didn’t completely wash off until the next day.


Every spring produced baby rabbits in the decayed trunk of old Mrs. Henderson’s
crab apple tree next door. I couldn’t bear to touch them, because I was told that once
the smell of humans was on them their mother would abandon them. So I just gazed
at them and let the warmth and wonder of creation flow into me.


And despite the oft-repeated cry that we were all going to the poor house in
another minute that echoed around my house like waves crashing on a lee
shore, I knew that if I asked mom to buy me another Little Golden Book it would
be in my hands PDQ. I had The Pokey Little Puppy fully memorized by age six.
And I doted on my copy of The Wonder Book of Clowns as if it were a narcotic.


Each year for my birthday I got a cake from the little bakery that was adjacent to
the Red Owl over in New Brighton. A white cake, with white frosting, with my
name spelled out in thick blue icing on top. And I always got to cut it myself and
was allowed to slice myself the biggest gooeyist piece of all. You may prate about
the woes of famine and want, but there’s something to be said for pure
unadulterated gluttony on a little boy’s birthday. My Grandma Daisy always
gave me a mere coloring book, but along with it she gave me lavender-scented
hugs that linger with me still.


Wild games of flashlight tag with the neighborhood kids on a sultry summer night.
Water balloon fights that left me hoarse from screaming and chortling as I
bombarded my sisters unmercifully -- there is nothing more satisfactory in life
than drenching your own sister with a water balloon. Kickball games in the alley,
with the inflated rubber ball ricocheting off garage walls with a bell-like peal.
Rhubarb pulled fresh from the garden, dipped in a brown paper bag full of sugar.
The first snowman of winter, with one of my father’s disreputable old trilby hats
snug on the head. The Kool Aid stand in the front yard  where I drank most of
the grape-flavored stuff myself. Kites. Roller skates. The advent of Mountain Dew,
with a grinning hillbilly stenciled on each green bottle. The elm leaves piling up
in autumn, when the whole world was allowed to become messy and musty smelling.
Silly Putty. MAD Magazine. A new Duncan yo-yo. And roaring blizzards on a Sunday
morning, which meant not having to get dressed up to go to Mass -- instead lazing
about in my pajamas while mom made cinnamon rolls for breakfast. Fishing off
the dock at Como Lake, where the aggressive little sunnies would bite at anything.


And my dad’s rasping laugh -- a rarity, indeed. I recall a Sunday afternoon
when he and I sat together in front of the TV watching W.C. Fields in
The Bank Dick. At one point in the film Fields is driving a open sedan
past a busty blonde and raises his straw hat with the greeting “Hello, toots.”
This tickled my dad’s funny bone enormously, and he began laughing.
I looked at him in wonder: so the old man could do more than yell and
take naps on the couch -- he could actually laugh! Someday, I said to
myself, I’m going to make the whole dang ornery world laugh, too.


And, by thunder, I did, for a while, as a circus clown.
Ah, memory is such a pleasant companion -- but such a terrible master.
It’s about time to let those recollections float back to their misty homes and
think about breakfast. Those ham and eggs aren’t going to cook themselves.
And, come to think of it, I believe there’s a bit of pickled herring left in the back
of the fridge. That stuff never goes bad (or as my children firmly believe,
it already is bad.)

Saturday, June 23, 2018