Thursday, March 9, 2017

Nicholas Kristof

Nicholas Kristof of the Times
Doesn’t deal in nursery rhymes.
The topics that he writes about
Make his readers scream and shout.
But he’s running out of steam
With his Trump-is-evil theme.
Come on, Nick; how ‘bout some more
On sweatshops helping out the poor?


Remembering Leon McBryde

Leon McBryde is a big fellow. Big in stature, big in expertise, and big in heart. When Steve Smith and I were made the advance clown team for the Ringling Blue unit back in the mid-70’s, he was also big on the image a Ringling clown should project. He did not like to see clowns as declasse citizens. A true Southern gentleman, Leon demanded dignity and respect -- and usually got it.

Smith and I were provided with a beat up old motorhome by the show, which sometimes ran -- and sometimes didn’t. Jim Howle painted the exterior in his inimitable style, putting our two clown faces prominently on each side of the balky vehicle. Leon was detailed to train us in the art and craft of advance clowning before the season got underway. Part of that crucial instruction was how to grill the perfect pork chop on a hibachi and serve it up with lots of red eye gravy and applesauce. Most of our tutoring took place around his hospitable table, with his wife Linda encouraging us to sample her homemade cornbread until we began addressing each other as “y’all” like Jed Clampett.

One day our motorhome refused to start, even when Smith crawled underneath to hotwire it. We desperately needed to do our laundry, so reverted to the old clown alley expedient of washing it by hand. We strung up the laundry to dry around the motorhome, giving it the appearance of a gypsy tent. This displeased Leon mightily.

“Y’all take that stuff down right now, hear?” he commanded. “Makes the show look like a ragbag!”

We meekly took our washing down.

As punishment for our boorish behavior he had us over for Smithfield ham and sweet potato pie. Then drove us to an auto parts store to buy a new battery for our motorhome. That took care of the starting problem -- for a while. That clunker ate more batteries during the season than you could shake a stick at. It finally developed a chassis-wide short circuit, so when we were plugged into an electric outlet and tried to fill the water tank (my responsibility) it gave me a shock that left my hands and arms tingling unpleasantly. On the brink of relaying a snarky complaint to the home office in Washington D.C., Leon counseled us on how to deal diplomatically with Irvin Feld’s bean counters.

“Y’all cain’t just insult those fellers and expect them to do anything for you. You catch more flies with honey than vinegar” he told us, then helped us draft a courteous dispatch that buttered them up and then hinted that a new vehicle might help us generate more enthusiasm for the show. It worked; within a week we got a brand spanking new motorhome and the old one, with Howle’s classic paintings, was retired to Winter Quarters -- where it sat in a sad state of disrepair for many years before vandals looted it and sprayed graffiti over our clown portraits.

As part of our training we observed Leon several times doing his celebrated grade school show, “Readers are Leaders.” Combining some hokey magic tricks with large doses of audience participation, Leon as ‘Buttons the Clown’ had them eating out of his hand. I credit Leon McBryde with first awakening the desire to be a teacher in me -- he was so obviously delighted to teach the kids about the joys of literacy. Many long years later, when I became an English teacher in Thailand, I often thought back to his methods and spirit while attempting to instruct my pupils in the mysteries of English spelling and grammar.

Smith and I made a sincere attempt to follow Leon’s example with our own school show -- to keep it focused and on track. But we both were contaminated with the invidious spirit of improvisation. We didn’t much care to stick to the same script, over and over and over again. To Leon, doing the same show the same way day after day was a sign of discipline and dedication. So he was slightly distressed at our casual and scattershot approach to entertaining and educating the elementary school kiddies. We’d always started out with our scripted show, but along about ten minutes in either Smith or I would get a wild hair up the wazoo and start throwing curve balls at each other just to see what would happen. In the middle of ‘Bigger and Bigger’, which involves blowing up a balloon, I might just release the balloon to let it fly out into the audience, and then shout “Niagara Falls! -- slowly I turned . . . “ This was Smith’s cue to yell “Yoicks and away!” before bouncing a foam rubber mallet off my head. Then we would head out into the gymnasium to begin flirting with a lady teacher until she blushed beet red and the kids were howling in delirium. At least we always ended the show the same way -- I’d play my musical saw, Smith would do a little tap dance in his clown shoes, we’d drop our pants, and then run offstage crying “May all your days be circus days -- our elephant is double parked!”

Eventually Leon became reconciled to the fact that Smith and I were intractable loons who fed off of each other’s manic attempts to derail any form of linear narrative, and gave our ‘show,’ such as it was, his blessing. The last day under his benign instruction he had us over for fried chicken smothered in milk gravy to give us these final insightful words:

“Wherever you go, there you are.”


 

Scott Pruitt

Scott Pruitt of the EPA
Puts climate change on holiday.
His agency is more concerned
That fossil fuel is always burned.
Clean air is okay in its place
(Somewhere below a welfare case.)


Thank You, Mary Pat Cooney!

And a bright green ‘Go raibh maith agat’ to readers who liked my mini-memoir “A Clown Triptych.’ You make the flowers blossom in the garden of my soul.

Paul Dymoke
Amy Schumer
Leo Acton
Herberto J Ledesma
Sandy Weber
Gabriel Romero Sr.
Keith Holt
Mike Johnson
Andrew Fronczak
Tony Chino
Billy Jim Baker
Mary Pat Cooney
David Orr
Kenneth L Stallings
Erik Bartlett

“To write is to think through your fingers”


Wednesday, March 8, 2017

My Clown Triptych

"Clowning keeps the world spinning -- without circus clowns the earth would probably stop rotating with laughter and lose its warmth, becoming cold and dead to children and adults alike!"

 Those immortal words were penned by Roland Butler, the head of Ringling publicity for many years, back in 1929 -- the year of the Stock Market Crash. The coming decade would see an increased need for clowns and their elixir of laughter as the Great Depression choked the life and hope out of millions of people worldwide.

I didn't catch many circuses as a child; usually just once a year. But I loved the clowns with all my heart, mind, might, and strength. Growing up in Minnesota I was lucky enough to discover the Minneapolis Film Society, where I watched the cinema clowns caper in silent black and white every Friday night. They were magnificent. And I wrote about them:

CHAPLIN.

One alone against the world, and homeless in the gutter;
the Little Tramp ate bitter bread without a touch of butter.
His sentimental pantomime is out of sync today;
nobody likes to laugh and cry — tis but a stale cliche.
But resurrection comes to those who clowned with all their heart.
And Chaplin will again someday resume his waggish part.
Otto Greibling once gave me a slip of brown butcher paper, on which he listed the clowns he thought were the best. The first name on his list was Buster Keaton:
His stillness was of that great kind when loud reverberation
has ceased but still the air remains in flux and agitation.
Soberly considering a world filled with derangement,
he was the very archetype of post modern estrangement.
The puzzle of the Sphinx or Mona Lisa in his face
gives to all his slapstick a tintype religious grace.

The greatest compliment I ever received as a clown was from a school teacher down in Mexico, where I studied pantomime for a year during a hiatus from Ringling. That teacher told me, after I did a show at his school, "You remind me of Stan Laurel." I'll always cherish that plaudit, even though nowadays I much more resemble Oliver Hardy!
Yin and Yang, they travel down the primrose path together;
bound and harnessed by the most peculiar type of tether.
Their friendship is at odds with the dynamics of existence.
They rub along together with a risible resistance.
The serious and sane do not pretend to understand
what makes them so beloved by the folk of ev’ry land.
But like all clowns who caper for our pleasure, then depart,
Stan and Ollie have a purchase on the humble heart.


I've always loved the poem that Dick Van Dyke read at Stan Laurel's funeral, so please let me share it with you -- in tribute to the many, many clowns who have lightened our load over the years:
God bless all clowns.
Who star in the world with laughter,
Who ring the rafters with flying jest,
Who make the world spin merry on its way.
God bless all clowns.
So poor the world would be,
Lacking their piquant touch, hilarity,
The belly laughs, the ringing lovely.
God bless all clowns.
Give them a long good life,
Make bright their way—they’re a race apart!
Alchemists most, who turn their hearts’ pain,
Into a dazzling jest to lift the heart.
God bless all clowns.
Or, as Roland Butler also once wrote:
"A good clown is not only worth his weight in gold, but worth all the sunlight that ever has shone!"
Amen to that! 
If you want to know more about Roland Butler, I recommend reading "Center Ring" by Robert Lewis Taylor.

Cousin Doris Visits the Circus

As a young clown with Ringling I was full of myself. Greatest Show on Earth -- Largest Clown Alley -- Youngest Performer from Minnesota. I had all of that, and more. What a peachy-keen guy was I!

But no one in my family ever came to see me perform. Not my mom; not my dad; not my sisters; not my brothers; no uncles or aunts.

Only cousin Doris.

Every family has them; distant, or not so distant, cousins that seem to spring up occasionally like mildew under the carpet.

Our family had Cousin Doris. She intruded on my childhood like a case of recurring measles.

She lived over in Northeast Minneapolis, or, as the denizens of the area itself called it, 'Nordeast'. She had an apartment on Central Avenue directly above a Latvian delicatessen. She worked at the Polovny Cabinet Works -- makers of fine coffins since 1898. Her job, as I understood it, was to steam clean the red velvet interiors of the expensive coffins about once a month, and to distribute moth balls where they might be needed.

She was dumpy and her drab dresses always reeked of rancid garlic. She was the only member of the Torkildson clan to ever have a snub nose -- everyone else sported beaks of varying lengths and sharpness. Her moon face was permanently wreathed in a buck-toothed smile reminiscent of Mortimer Snerd.

The reason we disliked her so much was because she always insisted on being HELPFUL.

My mother had her over for Sunday dinner once every two months, and Cousin Doris was so grateful for this bit of kindness that she always looked for ways and means to help our family out -- with resulting calamities that shook our belief in a just God.

One particular summer Sunday when she graced our table she decided that we should have a batch of good, old-fashioned root beer -- the kind her mother used to make back in South Dakota.
She claimed the ingredients were cheap and handy, and the process was easy enough so that a blind simpleton could put up a dozen bottles in under an hour.

My mother tried to explain that at the moment we were plumb out of blind simpletons -- there were none to be had at any price -- but Cousin Doris was not to be put off.

The very next day she brought over all the equipment and ingredients and set to work, while my mother retired to the back yard with a brown bottle of something she told me was 'stress medicine', but which smelled awfully like my dad's breath when he came home late on a Saturday night.
Amazingly enough, Cousin Doris was true to her word, and the bottles were filled and capped within an hour. She then washed up and cleaned the kitchen to a spotless glare.

The bottles were lined up along the basement steps to 'work' for a week or two.

"Don't mind if they gurgle a bit at night" she told us cheerfully as she left. "That's just the yeast workin'."

The yeast turned out to have nuclear properties.

A few nights later the whole Torkildson household was rudely thrown out of their beds by a series of gushing explosions that emanated from the basement steps.

You guessed it; every single bottle of Cousin Doris' root beer had detonated like a sugary land mine.

And yours truly was deputized to clean up the bubbling mess toot suite by parents who obviously relished crushing a young boy's dreams of undisturbed repose.

Two months later, like clockwork, my mother had Cousin Doris over for Sunday dinner. As we sat down to pot roast, potato rolls, three-bean salad, and corn harvested straight from a Green Giant can, she asked brightly how we liked the home-made root beer.

"You'll never find anything like it in a store!" she exclaimed as we collectively scowled at her.

"It was explosive" my dad said shortly, as he jabbed the pot roast viciously with his fork.

"It does have a tang, don't it?" Doris replied. "Myself, I think there's a bit of alcohol formed."

That would explain the quasi-hangover I had the next morning, after inhaling the fumes while cleaning up the basement steps.

Nothing more was said about the volatile root beer as the dinner proceeded in sullen silence.

Afterwards, as Cousin Doris helped my mother with the dishes in the kitchen I could hear her telling my mother that pickling fish was a cinch, if the fish were fresh-caught. And since little Timmy liked going fishing all the time, she would be happy to help my mother put up a big crock of pickled crappie or sunfish . . .

At this point I sped out the front door as if my keister were ablaze.

Mostly because I didn't like to hear my mother swear.


As you can imagine, I was not exactly thrilled to see her years later when she showed up, ticket in hand, at the building in Des Moines, to greet me with a moist embrace.

“My, how you growed!” she marveled, as she began a long convoluted explanation of why she had relocated to Iowa. Apparently they took their coffins more seriously in Des Moines, and she was now involved with the actual sale of them instead of just mundane maintenance.

“I can get you a good deal on one anytime you want” she told me, as I unwillingly escorted her to her seat prior to come in. She thrust some colored brochures into my hand as I excused myself to go perform my buffoonery. I was hoping to avoid her for the rest of our stay in Des Moines. When I got back to the alley I tossed them on top of my clown trunk.

In clown alley any open talk of death is verboten. It’s bad manners and bad luck to recount the demise of any circus personnel while at your clown trunk. But talk of coffins is a hearse of a different color.  Veteran clowns like Prince Paul and Swede Johnson were in a sort of Coffin Race. They were constantly bickering about the pros and cons of a cedarwood coffin as compared to one made of stainless steel. Was a satin lining better than a silk lining? So when Sweded discovered Doris’ brochures on top of my trunk he immediately wanted to know where they came from. I told him they were from my cousin Doris.

“Hey Prince, lookit this price for the Mahogany Bed of Eternal Rest!” he yelled across the alley to Prince Paul.

Several of the older clowns were soon engrossed in perusing price lists and warranties around my trunk, and I was bidden to produce cousin Doris after the show for further queries.

I did so, and she got more attention from Swede and Prince and Mark Anthony than I ever did. For the rest of our stay in Des Moines cousin Doris was an honored guest in clown alley. I believe she sold Sparky an Economy Model that featured a nitrogen filled plastic pillow, and gave Mark Anthony, our producing clown, some valuable pointers on moisture proofing plywood -- since Mark was intent on building his own casket as economically as possible. I have to admit I was a bit jealous of the fact that she was the only Torkildson clown alley seemed to care about.

At the end of the Des Moines run cousin Doris gave me another moist hug, saying “I’ll see you next year!”

“Over my dead body!” I THOUGHT that -- but didn’t say it. Since I didn’t have my own sarcophagus bought and paid for yet.  



Tuesday, March 7, 2017

Marine Le Pen

Marine Le Pen is not aquatic
Nor is she a bit robotic.
She’s dyed-in-wool conservative,
And rules with an iron nervative.
What she wants for L’Hexagone
Is that it should  stand all alone.
And if she thinks the earth is flat
Who would defy her caveat?
Since when she’s President of France
She’ll smoke a pipe and wear the pants.



Amy Schumer

If ev’rybody weighed the same there’d be no conversation.
Mankind would descend into a listless automation.
Calories would die upon the cross of apathy,
And clothing stores would disappear just like the honey bee.
But me and Amy Schumer keep it real upon the scale,
With cheeseburgers and french fries and Blue Bunny by the pail.



Clown Alley Gets Psychoanalyzed

Clowns are not normal people; if they were, they wouldn’t be clowns. This seems like a simple straightforward conclusion, needing no further explication. But the eggheads can never leave clown alley alone for very long. Ever since the days of Grimaldi and George Fox, writers and intellectuals have been burrowing into the clown psyche to figure out what makes it tick. But, in the famous words of E.B. White, “Trying to dissect humor is like trying to dissect a frog -- you may discover some interesting material, but the whole thing dies in the process.”


My second year as a clown with Ringling we played Boston in the early spring. One day a youth nearly my own age was escorted into the alley by Charlie Baumann. He wore a cream colored silk shirt with a deep purple necktie. He reeked of classy. His bespectacled face showed a keen interest in what was going on around him, which at the time was a somnolent attempt by several hungover clowns to nudge a cockroach under Chico’s trunk with their feet.


“Dis is Herr Jenkins. He vill study you. Behave!” was Baumann’s curt introduction.


“Ron Jenkins” said the youth, going around the alley and shaking hands. “I’m a third year Psych student at Harvard. I’m leading a study on the comic ego and its antecedents. You know, how clowns like to think of themselves and what keeps them at the job. That kind of thing.”


He seemed a harmless loon, unobtrusive and respectful. So clown alley let him poke and prod. That week in Boston he showed up after the matinee and singled out several clowns for a group interview. His first group consisted of Prince Paul, Swede Johnson, Dougie Ashton, and Mark Anthony. They sat in a solemn semi-circle around him as he adjusted his glasses, flipped through his clipboard, and drew a pen from his plastic pocket protector.


“Please tell me where all of you were born, to begin with” he asked in a pleasant voice.


“Me mother said I didn’t get born, I was hatched” replied Dougie, giving his bushy auburn eyebrows a Groucho Marx waggle.


“Germany” said Prince Paul.


“Where in Germany?”


“How the hell should I know, schmendrick? I was a bastard, so she just gave me to her relatives to raise. I came to America in 1920 and bin a citizen since ‘35.”


“Okay. Thank you. And you, Mr. Johnson?”


Swede gave him an appraising look before launching his taradiddle.  


“That’s a strange story, that is” he began. “My folks was off the Cape of Good Hope in a subchaser during the First World War when a tidal wave washed the whole crew overboard onto a dessert island.”


“You mean a desert island, of course.”


“I don’t mean nothin’ like it, kid. Half the damn crew was smothered in coconut custard and the rest had to run for their lives from the creeps suzette. My mother had me while hiding out in a rice pudding swamp . . . “


“Dammit, Swede” interrupted Mark Anthony, “just tell the kid you was born in Copenhagen so we can get this over with. I gotta go out and buy some flanges for the prop boxes before the next show!”


Much relieved that someone had at last shown good sense, Jenkins turned to Mark and asked him where he had been born. Unfortunately, Mark had just discovered Helena Blavatsky and Theosophy; his murky reply was to the effect he had not yet been born but was scheduled for enlightenment somewhere in Tibet by the year 1991.


Jenkins tried a few more clinical questions, but it was easy to tell his spirit had fled from the proceedings.


The next day he renewed his efforts to unlock the complexities of the clown mind with me, Roofus T. Goofus, Spaghetti Joe, and Smitty. Smitty sat down with a bowl of cornflakes.


“Scuse me while I have some dinner” he said in a genteel manner, then poured a can of Budweiser over his cereal. Jenkins visibly gagged at this. It was old news to the rest of us. Smitty couldn’t function if his blood alcohol level fell below .080.


“Uh, where were you born?” he started with me.


“Minneapolis, Hennepin County, Minnesota” I replied promptly. Then felt impelled to add: “My great grandfather Ole Stuhlsted was born in Trondheim, Norway.”


Jenkins winced slightly, mastered his emotions, and continued. Roofus came from Champaign, Illinois. Spaghetti Joe from Brooklyn. And Smitty from Redlands, California.


“What basic needs do you think clowning provides for you?” he asked Spaghetti Joe.


“Chicks” shot back Joe without hesitation. “My long red rubber nose is a real turn on for those chippies once I . . . “


“Shut up, you perving liar!” the rest of us chimed in, sick and tired of his mythical sexual exploits. It was all he ever talked about.


“No, no -- that’s okay. I need to know what each of you really wants out of your clown career” said Jenkins soothingly. So once again we had to listen to the fictitious and puerile sexual adventures of Spaghetti Joe. This was becoming an annoying waste of time. I could have gone out to one of any of a dozen used book shops nearby. And there was an Italian guy just outside the backdoor selling crab rolls from a pushcart.


Jenkins filled several pages with Spaghetti Joe’s piffle before turning to me.


“What is it you want from your job as a clown?”


I had my glib answer ready, when suddenly I realized that he had just asked me substantially the very same thing my mother asked me the night I left for Clown College. She was in tears -- not from sadness but rage. What did I want from this insane idea? She told me I was throwing my life away. I’d be dead in a few years. Homeless. Coming back to beg for help, but it would not be her problem anymore. I’d made my bed, now I had to lie in it.  


“It’s to get the hell away from you!” I yelled at the perplexed Jenkins. Then I stomped out of the alley, got some crab rolls, and spent an hour at a used book store while trying to piece together what had just happened to me. But I couldn’t face it down, not yet. Trying to analyze it took away my appetite and my lust for belly laughs. So I decided to follow Dougie Ashton’s sage counsel whenever things turned upsetting.


“Buck ‘em all!”

************************************************************************

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A Kid at the Circus


What strange influences impelled me to don the greasepaint and motley of Ringling’s clown alley? I’ve gone over that question a thousand times these past decades. A seminal guide to taking up the comic cudgels was John McCabe’s wonderful biography of Mr. Laurel and Mr. Hardy. The movies of the Marx Brothers also pushed me towards the merry anarchy of the circus clown. My own instinctive use of humor to protect myself from school bullies is another reason I wound up trading affectionate insults with Swede Johnson in the Blue Unit clown alley. But the one thing that definitely DID NOT influence me to become a circus clown was the circus itself. My memories of attending the Zhurah Shrine Circus in Minneapolis back in my misspent youth are not at all pleasant. Why? Well, it’s complicated -- but it goes something like this:

My mother and father differed in many, usually rancorous, ways.
None more so than their approach to taking the family on an outing.
The major divide was that my father never wanted to take his kids anywhere. Period. He slaved all day at Aarone's Bar & Grill, and held a second job at the Minneapolis Athletic Club as a towel jockey -- and so he felt entitled, in his free time at home, to settle into a comfortable chair. light up a Salem, and watch Bonanza; not drag a bunch of yowling brats around to the movies or the circus.
It took a titanic effort on the part of my mother, or the deepest bathos on the part of us kids, to move him.

But . . .
When he did move and did take us to the movies, it was as if Diamond Jim Brady had swaggered into town. He gave us enough money to buy the biggest Coke and the most capacious tub of popcorn, along with oodles of Raisinets, Jordan Almonds, Nonpareils, and Mason Crows licorice. After the show, if there were pinball machines in the lobby, as there were at the old Apache Chief in Columbia Heights, he allowed us to squander his coins on them until steam came out of my mother's ears and she stomped off to the car to await our descent into pauperism.

My mother, on the other hand, was extremely conscientious about taking us places -- like the dentist or to Mass on Sunday. But I have to admit that she also took us to a fair number of movies and to the Zurah Shrine Circus every year.
But the thought of paying through the nose for any sort of concessions was anathema to her.
When she took us to the movies she brought along a bag of bridge mix in her purse, and if we wanted something to drink we could darn well go out into the lobby and lap up all the free water from the fountain that we wanted. This was not really fair, I now think, because the water fountain at the old Apache Chief was purposely kept in disrepair; it dispensed nothing but dust. I discovered early on to be sparing on the bridge mix, because after several mouthfuls it glues your tongue to the roof of your mouth if you have nothing liquid to go with it.
But it was our annual trip to the Shrine Circus that really showed her miserly mettle.
She would make her own popcorn the night before, stuffing it into brown paper bags from the Red Owl and fill up the big clunky red and white thermos with anemic powdered lemonade. Then tuck those minute paper Dixie cups, the size of a thimble, into her purse for the next day's outing. We always went with several of the neighborhood families and sat together to watch Tarzan Zerbini's lion act and juggling clown Carl Marx.
While the other families caroused with hot dogs and cotton candy, bought balloons and coloring books, my mother would apportion out the cold stale popcorn and pour out a few drab drips of lemonade for us. A circus programme book was out of the question -- we were not related to the Aga Khan.
Inevitably an usher would come up to her, reminding her that outside food was not allowed.
This produced such a cold glare from my mother that the usher would stumble backwards as if poleaxed, then turn and flee back down the concrete steps.

When my own kids came along I always made myself available to take them to shows and whatnot. But, like my mother, I found it very hard to pay through the nose for concessions. So we compromised. I brought an apple for each kid; after they ate it, if they wanted some junk to snack on from the candy stand, they could have it.
But now that my kids are all grown up, I rarely go out to see any kind of a show. I prefer to snuggle up with a good book or see what's happening on Netflix. But when I do go to a show I revert completely back to type; I buy a bag of chips and a can of Shasta to smuggle into the theater. No way am I going to pay those predatory concession prices while watching the next Star Wars or Jurassic Park.