The Cosmic Affairs of Dennis Overbye

The erudite Dennis Overbye, of the New York Times

Dennis Overbye has spent the last twenty years at the New York Times fighting a rearguard action against the forces of superstition and hidebound inflexibility in the cause of Good Science.

Good Science, according to Mr. Overbye, is fun and cool. Not the sole provenance of geeks and recluses. Emotionally scarred from having to memorize the Periodic Table by rote at the tender age of seven, Mr. Overbye is dedicated to the proposition that mixing diluted acetic acid with sodium bicarbonate is more fun than a barrel of kinkajous. And that quantum physics can be easily explained to a child -- but why bother? 

Good Science, he continues, is fun. A game of hide and seek where scientists count to ten and then scatter to look for Hadrosaur fossils and tinker with bionic mushrooms. A race to see who will be first to find something darker than a black hole; to locate a new home for Goffin's cockatoos; and to find a cure for Adam Sandler movies.

A votary of Albert Einstein, Mr. Overbye keeps photos of the tousled-hair theoretician on his desk at the New York Times, in the living room of his home, in his bathroom, and under his pillow (where he hopes the Good Science Fairy will leave him a viable Grand Unified Theory some day.) 

He suffers fools gladly but not indefinitely, and was recently awarded the Coast Guard's prestigious Transportation Distinguished Service Medal. 

His favorite color is octarine, and he cultivates lithops in his spare time.

Is Jon Talton a Reporter Who Works as a Novelist, or a Novelist Who Works as a Reporter?

Jon Talton, of the Seattle Times

Jon Talton has worn many chapeaus during his checkered career. He has written fiction and history books, performed wonders as a columnist writing about economic trends and issues for the Seattle Times, served as business editor for several prestigious journals, done mobile medical search and rescue in Phoenix, and taught theater at Southeastern Oklahoma State University. A true polymath, Talton has garnered a slew of awards -- everything from the Spiel des Jahres to the coveted Royal Victorian Order. He has  to rent an abandoned Sears store in downtown Seattle in order to warehouse his tremendous collection of accolades.

But in those rare moments when Talton is at ease with his friends and family, a faraway look comes into his eyes -- and those closest to him smile and nod to one another, for they know that their Jon is daydreaming of those halcyon days long ago, when he was a theater teacher down in the Panhandle and working as a busker on the streets of Tulsa to supplement his meager teacher's salary. He'd juggle a few tennis balls, spin a few dented tin plates, or play the Lucia Sextet on his ocarina, and then pass his battered trilby hat among the crowd, imploring winsomely: "Just tuppence is all I needs, guvnor. Lord love a duck -- thankee kindly!" 

On a good day Busker Jon (as he called himself) could clear as much as six dollars in quarters and bus tokens.

His celebrity status today makes it impossible for him to take to the streets again, of course. He'd be mobbed; torn to shreds in a mad scramble for one of his buttons or PEZ dispensers. So he bides his time, knowing full well that the public are a fickle crew -- today they idolize you, yet tomorrow you're already a has been, forgotten like yesterday's weather. Jon has his old green baize bag ready for when that day of obscurity inevitably comes; it's filled with juggling equipment, a squirting flower, and an assortment of rubber chickens and penny whistles. Never one to sit idly on his laurels, he is also taking a vocational class in how to give chalk talks. Because in the writing game you never know when the editor will put you out to pasture with nothing more than a gold plated railroad watch that's missing the second hand. 

"I used to be somebody in this town . . ."

Paul Vigna, of the Wall Street Journal, Knows his Cryptocurrency

Paul Vigna, of the Wall Street Journal, knows his crypto from his currency

When they finally get around to writing the full history of cryptocurrency, one name will loom larger than all the rest -- Paul Vigna, of the Wall Street Journal.

Mr. Vigna, a modest and unassuming man who prefers to identify himself as a turnip farmer from Verona, New Jersey, has followed Bitcoin and other cybercurrencies since their hazy inception ten years ago. He it was who first cast doubt on the existence of Satoshi Nakamoto, grouping him with Prester John and the Loch Ness Monster as merely a convenient and somewhat whimsical fairy tale figure.

Standing aloof from the partisan and greed-induced hurly burly of the cryptocurrency maelstrom, Mr. Vigna's cool eye and steady hand have made him a keen analyzer and stern critic of this monetary Johnny-come-lately. While other reporters plucked at their toupees in anguish and eventually took prussic acid to end their puzzled agony, Mr. Vigna tracked down the online protagonists and offline antagonists in government and finance -- sniffing out the wheat from the chaff, and then sneezing it all over the place on his MoneyBeat blog for the edification of the masses. He has kept all his ducks in a row until they flew South for the winter.

When Mr. Vigna is not busy whaling on the whales or bruising blockchains he likes to relax by playing the zither in his garage band, The Garden State Gnomes. They are available for weddings, bar and bat mitzvahs, interventions, and household pest control. 

  

Haiku: tangled purposes

tangled purposes

in the searching light of June

reveal dry results

Haiku: waiting for the bus

waiting for the bus

hard wind ruffles the white hair

chilling like a dull ache

Haiku: so red that it stings

so red that it stings

so heedlessly displaying

so gone yet so near

The Mytery of Joseph Palazzolo

Alleged portrait of Joseph Palazzolo

There is one thing that can be said about Joseph Palazzolo with certainty; and that is that nothing can be said about Joseph Palazzolo with certainty.

Swaddled in secrecy, his life and work are so obscure that even his alleged employer, the Wall Street Journal, has nothing specific to say about him in their official profile of him. They merely list the articles he has supposedly authored.

Is the man real, or just an anthropomorphic algorithm? 

After months of intense research and dogged investigation, Tim Torkildson's Clown Alley is at last able to reveal the startling truth behind the myth of Joseph Palazzolo. He is the creation of the Wall Street Journal's groundbreaking new security strategy -- "Operation Straw Man." 

Concerned for the security of its reporting staff, the Wall Street Journal decided to create several fictitious reporter personalities, complete with ethnic names and pointillist portraits, to deflect the ire and unbalanced attention of lunatic readers from the real flesh-and-blood journalists that work at the Journal. Thus 'Joseph Palazzolo,' writing about gun control, privacy issues, the Supreme Court, and corruption in high places, acts like a decoy, or a straw man -- diverting the enraged crackpots that darken the American landscape nowadays. Efforts by various subversive groups such as the Molly Maguires and the Ancient Order of the Foresters to locate and harass 'Joseph Palazzolo' have kept them from interfering with the genuine Journal reporters. 

How are Palazzolo's stories written? They are simply a pastiche of Wikipedia articles and marital advice columns from the Arkansas Democrat-Gazette. Run through an automated Thesaurus template, the articles have enough patina of authenticity to fool poltroons and the occasional moon calf. Astute subscribers, of course, have always suspected that Palazollo was a myth, a wraith, a mere will-o-the-wisp, and not a solid character at all. Their surmises, it turns out, are correct. 

So if you are ever contacted by a reporter who claims to be one 'Joe Palazzolo' from the Wall Street Journal who wants an interview, you should immediately hang up and then alert the Office of the Comptroller of the Currency, because you may be the intended victim of a bamboozlement. 

John Schwartz and the Difficult Cats

John Schwartz, of the New York Times

John Schwartz is a hard boiled reporter who has worked at the New York Times for the past nineteen years. During that time he has seen it all -- the law of the land bent to serve malign purposes; the overarching and implacable march of technology; the insane renewal of the Space Race; the futility of warning the general populace about the coming cataclysm of global warming; and the craven toadying of book authors who would do anything short of honest work to get into his good graces. He even claims to have written humor columns, when he's in a good mood and the planets align.

By his own admission, he is one tough customer who doesn't allow the wool to be pulled over his eyes.

Except in the matter of cats.

As Shakespeare wrote: "A cat by any other name is still trouble." Mr. Schwartz subscribes to that philosophy whole-heartedly, and yet he and his family are part of the world wide conspiracy that continues to aid and abet domestic felines. He can give no rational explanation for his fondness for cats, except to hint at a congenital propensity to be taken in by mousers that has run in his family for generations.

He has tried to break the habit with wombats, iguanas, skinks, dingoes, and flying foxes -- but none of them, according to Mr. Schwartz, possess a tenth of the cunning and fascinating mutability of a cat. 

Outside of this one disturbing foible, John Schwartz is considered to be a genuine humanitarian by his friends, family, and colleagues.

He is the author of half a dozen books, pamphlets, time tables, and telephone directories that have garnered him the position of Sub Adjunct with Woodmen of the World. 

Lela Moore, of the New York Times, Likes to Run

Lela Moore is a runner AND a fighter

If it wasn't for marathon running, says Lela Moore of the New York Times, she'd probably turn into a snarling virago at each full moon, what with the stresses involved in handling reader's comments.

While many readers are pleasant and appreciative of the work New York Times staff does to cover major world events, there are always a few soreheads who have a hatchet to grind; they find fault with everything from typography to POV to niggling factual wobbles. These are the people that would turn Lela's fetching auburn hair grey were it not for the kilometers she puts on her Skoras each week, running for hours in the rain while 'Bohemian Rhapsody' plays in the background until she sprints up those steps in Philadelphia and gives Rocky a high five.

 Her interest in running began as a child, when she suffered from mal de raquette. Her pediatrician put her on a strict regimen of running around the block, and a diet of vanilla PEZ. Moore soon discovered that a constant canter not only cured her of her illness but made it impossible for anyone to ever say anything negative to her -- she was simply too far away from them by the time they began kvetching. In college she majored in Advanced Loping. 

She once ran from Throop to Coxsackie on a bar bet.

Moore is a three-time winner of the Zaner-Bloser Handwriting Contest, and was recently a runner up on Bowling for Dollars. 

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Corey Kilgannon: The Harun al-Rashid of the New York Times

Corey Kilgannon wanders the highways and byways of New York City for the New York Times

Like the fabled Harun al-rashid of the One Thousand and One Arabain Nights, who went out each night in the city of Baghdad to see what his people were up to, Corey Kilgannon wanders about the Big Apple to report on the ups and downs of its denizens for the New York Times. He started doing this nineteen years ago, and has never lost his relish for the offbeat and obsessive characters he runs across.

He developed this passion for probing as a young novice at Seto Ghumba, a Buddhist monastery in Nepal. He was sent there by a wealthy uncle who wanted his nephew to learn how to levitate, and still the unruly clamor of the New York City subway system.

While at the monastery Kilgannon studied the mystical techniques of Ron Hubbard and the subtle ambiguities of Adam Sandler to achieve a state of Nirvana that the older monks could only gape at in awe. The head Abbot proclaimed him आश्चर्यचकित बच्चा -- which means "The Wonder Child."

Kilgannon now runs his own Theravada Transcendental Study Group at the Fulton Fish Market, where he teaches novices the art of observation and engagement. New Yorkers, he explains, are wary of the media and will not willingly open up about their dreams and disappointments. They must first be taught to trust in the Third Eye, and then coaxed to let go of their pastrami-tainted physical self -- at which point they are ready to be interviewed, photographed, and even fingerprinted.

Kilgannon collects kugel recipes in his spare time.

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