my memories fade but my emotions sharpen. as i grow older.
remembering the year i did Ronald McDonald in Wichita, Kansas, brings few concrete stories. it was 1983. adam was just a baby.
i had to fly to milwaukee to train under a guy named aye jaye. he had to okay my ronald mcdonald performance before i could be officially hired. two days of him teaching me the makeup and the mantra. there was an official script, which i had to follow exactly without deviation. (which i never did.) what i remember is him telling me to always use the restroom before performing, cuz i might be in public for hours on end with no break possible. and his drinking wan fu wine before each appearance. for reasons i no longer remember. he had little white ceramic bottles of it all over the van he traveled in when performing. his voice grated on me. i eventually came to despise him and called him a pissant the last time i spoke to him on the phone.
we first lived in an apartment, then we bought a house in Wichita during my year of ronald mcdonald. the house had a particular poverty smell to it -- all slummy houses have the same sour smell. something to do with the gas meter having a loose fitting.
i was never able to put on the makeup very well. i often had to wipe it all off with baby oil and start over again because i couldn't get the big red grin or the arching eyebrows just right. luckily i only worked a few days a month. the rest of the time i stayed home with amy and the kids. i wrote a script for a tv sitcom about a wall street broker who runs away from his firm to become a circus clown. i sent a copy of the manuscript to my old clown partner Steve Smith. he wrote back thanking me; telling me it wasn't very good.
the biggest memory i have of that period has nothing to do with ronald mcdonald. since i had so much spare time on my hands i got a part time job as a janitor at the Eisenhower National Airport. i worked 8 to midnight, emptying trash cans in the administration office into a big canvas sack on wheels and then wheeling it out to the outdoor dumpster. there was never anyone there. i had the place to myself.
one windy night most of the trash cans were full of white styrofoam chips. the office staff apparently got a lot of packages that day. when i took the big canvas sack out to the dumpster and started to tip it over the wind caught the little white chips and sent them spiraling up into the air. in enchanting circles that went up higher and higher. then came silently down like snow. i was fascinated by this. i watched this artificial blizzard for nearly an hour. until it petered out. then i ran back inside to ransack more trash cans -- any trash cans with those little styrofoam chips. i found plenty. so i repeated the procedure three more times that night. by the time midnight rolled around, the entire field behind the administration office was filled with restless white styrofoam chips, slowly circling each other; lifting up and settling down into drifts. it was a beautiful and compelling sight.
and it was a huge mess that i was completely responsible for. i didn't realize it at the time, but i had just created my first piece of installation art. i briefly considered trying to clean it all up, then thought "Nah, the hell with it" and went home. as far as i know there was no uproar over it the next day. at least nobody ever approached me about the matter.
but that was when the was seed planted. installation art. ever after whenever i saw an empty space i would feel like i wanted to fill it with something strange and wonderful. i filled the basement of the old Arts building at the University of Minnesota with balloons. i put shaving cream into people's shoes at bowling alleys. how many blank doors have i plastered over with haiku on note cards! and of course there was my watershed moment when I stood on Capitol Hill, dressed up in my old clown rig, holding a sign that read: "UNEMPLOYED CIRCUS CLOWN. PLEASE HELP PUT ME IN CONGRESS WHERE I BELONG." i narrowly avoided arrest and eventually became a great favorite of chinese & japanese tourists, who insisted on taking photos with me. now that i think of it, my can pyramid during come-in at Ringling Brothers was a sort of installation piece as well. it was certainly very far from any traditional clown gag ever done before or since.
as the shades of eternity lower over me i begin to regret not pursuing that errant impulse more. until i could turn it into a career. into fame. being hired and paid for my work all over the world like banksy or kurt schwitters.
if you're wondering, here's a pretty good definition of what installation art is:
Often site-specific, and occasionally occurring in public spaces, the boundaries of what constitutes installation art have been blurred since its very inception as an artistic genre. Though installation art varies widely it can best be thought of as an umbrella term for three-dimensional works that aim to transform the audience’s perception of space. Sometimes temporary, sometimes permanent, installation artworks have been constructed in spaces ranging from art galleries and museums to public squares and private homes and will often envelop the viewer in an all-encompassing environment or within the space of the work itself. Installation art developed primarily in the second half of the twentieth century (though there were clear precursors) as both minimalism and conceptual art evolved, culminating in installations in which the idea and experience was more important than the finished work itself.
i have one final installation piece i dearly want to put up. i want to fill the front yard of a house on a busy street with nothing but hundreds of those blow-up Bozo punching bags. like the ones i had as a kid.
since i don't own a house and probably never will again, i am patiently waiting for a patron of the arts to intercede on my behalf. maybe buy me and amy a nice little house on a busy street. and pay for all those bozo punching bags. they cost 30 dollars apiece on amazon. plus i'll need someone to blow them all up.
No comments:
Post a Comment